Patrick Wolf releases new album “Battle” featuring Tilda Swinton


Patrick Wolf releases his fourth concept album “Battle;” a double album that has Oscar winning actress and UK avant garde filmmaker muse, Tilda Swinton, as the “Voice of Hope” narrator throughout the record. The album is released on Patrick’s own record label, Bloody Chamber Music, a bow to author Angela Carter, and is funded through; a revolutionary funding vehicle that allows fans to buy stocks in the album and to contribute to the financing of the music’s production and marketing, and as from this week is available to US fans.

I spoke to the twenty-five year old Sussex musician from his studio, located across from the London Tate Modern, who recently commissioned Patrick to perform a classical piece in celebration of Dutch artist, Daan van Golden’s, exhibition. Today, Patrick was working on the artwork for the album cover, as well as the set design and choreography of his new video.

Battle has two distinct takes on life and love, ones which reflect Patrick’s defining emotions of being alone and being in love. The first album, “The Bachelor,” is a celebration of the absolute love of solitude –to go anywhere and be anyone and to do anything. Despite this love of solitude, Patrick admits to a melancholy that sometimes goes hand-in-hand with being alone. “The first album is about loneliness. I would attend weddings in Spain and Ireland and I would always be the only bachelor. I was convinced I had the spinster gene.  But I enjoyed being single. It was only at traditional get-togethers that I felt this loneliness because other couples would see my aloneness as a failure. I felt that this loneliness was definitely a positive thing for me. The record is also very much a masculine point of view of solitude.”

The music reflects this melancholy. But Patrick fell in love after the first album and started writing the second on a totally different vibe. “I fell in love and this reflects two sides of the coin. It’s a happiness product of knowing your pain. The songs on the second album, “The Conqueror,” are definitely more upbeat.” Both records reflect a different kind of love. First is a love of solitude, the second is of falling in and being in the actual state of love with another person. “If the world ended today and I could be with only one person, that wasn’t from my family, I would be with my boyfriend. We have a romantic love that is not defined or dictated by practical and financial matters.” One of the upbeat tracks on the second album was born from a trip to LA for the Jimmy Kimmel show. Patrick met and had sex with a Satanist. His voyeuristic tendencies took over and he wrote “Vulture,” a thrashing Californian upbeat industrial techno sound with lyrics that identify with the Celtic and Pagan research he conducted for previous tracks.

US exclusive of new webisode featuring Patrick Wolf talking about Bandstocks and performing the song “Who Will…”

So how did he come to work with Tilda Swinton. “She is an icon in experimental art. America knows her as a Hollywood movie star but I haven’t seen any of her Hollywood movies. In the UK she is known for her work with Derek Jarman and Sally Potter, in films like Orlando, as well as, her own experimental art. I went to see her during a Q&A for her film, “Julia,” and I thought I’d just go for it and handed her a CD. Later she emailed me to say that she would love to act as a monologue performance artist with spoken word for my album.”

Patrick’s band is described as “a solid family” of instruments, programming, violinists, bassists, and a drummer –there’s a lot more musicians on this album –people he’s known for years. “I spent a year studying composition and this album has Brazilian rhythms, a big choir, and English marching drums –hence the name “Battle.” And was recorded in the city of “Battle” in east Sussex.



The artist enjoys complete independence from major record labels and it’s no secret about his departure from record giant Universal. “Large record companies have a lot to offer in terms of money and power but artists are confined and they ultimately lose their artistic freedom. The record companies worry about offending the public. There’s little politics in music nowadays as there was when music and art questioned the establishment, as they did in the Punk and New Romantic eras, when artists really pushed the boundaries. Even the last time there was a gay movement in the UK was during the anti-gay legislation of Section 28 in 1988.” (The notorious legislation banning the “promotion” of homosexuality in schools). There’s still homophobia in the UK and record companies are wary to offend the conservative parts of UK society. For Patrick this meant his record company marketing him as the next Elton John. “Politics is pushing the boundaries of sound. My record company said they couldn’t control me and they wanted to get rid of me because I wouldn’t conform. Put it this way, how would you feel if you had a job where you weren’t allowed to quit, yet your boss could fire you and treat you badly if you didn’t conform. This is what happens to musicians all the time; look what happened with Prince.” Patrick was even less impressed with the record companies marketing efforts where they pushed him as a raver or the Village People. “My roots are in Bob Dylan and Jodi Mitchell. I didn’t want to be pigeon holed into being a gay performer just for gay audiences. I have a crossover audience. I sidestepped the stereotypical marketing. But then gay audiences were annoyed that my private life didn’t crossover into the writing and in my public life. They were annoyed I wasn’t Rufus Wainwright. Women love my show, so do straight boys. Gay musicians think they’ll lose their demographic if they broaden their audience. This isn’t so. The music transcends everything. Why should music be for one demographic? What if we found out today that Jodie Mitchell was transgendered? Would that change her music? Would the words take on a different meaning and lose their power? What if Madonna didn’t have her own identity or freedom to experiment and instead just cowed down to winning acceptance and more understanding. Buffy Saint Marie, Leonard Coen, and Nick Cave are honest and raw songwriters.  I’m a songwriter and producer with a confident sound and image who plays experimental noise music. We don’t live in a utopia but we can just be ourselves and be free.”

His parent’s influence on his music, although never realized at the time, is telling. But it wasn’t until he was much older that he realized that not everyone’s mother is a painter or father is a jazz musician –so or course it’s only natural that they have influenced him. His father was in the punk band, The Sniveling Shits, and his mother listened to Joni Mitchell, Kate Bush, and Miles Davis. “My mother played “Ariel” by Kate Bush. I don’t think she gets enough credit in the British music press. She’s always misplaced as ‘that singer who dances and screams.’ She was totally independent, universal, and creative. She has a specific sound and specific energy in her videos and in her live concert. I played “Hounds of Love” over and over. People say I sound like Kate or play the piano like Kate. It’s a wonderful comparison.” His family also plays a part in grounding him and at home he’s just “Patrick.” He was a teenage runaway and earned money from busking. But he returned home when his father had cancer. His father has fully recovered but at the time Patrick was writing songs to his father to form a paternal link. He was opening up to him in regards to being gay and he desperately wanted to identity with his father.

Next month sees Patrick perform at Heaven nightclub in London and Europe’s largest gay venue. At age 13, he performed on stage with the Lady Bunny Band and played air guitar. In his 20’s he released critically acclaimed albums, Lycanthropy, Wind in the Wires, and The Magic Position.

Patrick’s style is as unique as his music. “I wanted to wear Vivienne Westwood and Alexander McQueen but I was poor so I bought fabric from thrift stores and got out my sewing machine. I want to inspire individuality and for everyone to get out their sewing machines and just be yourself.” Of course, now he’s lucky enough to be able to commission new designers and is working with top fashion school Central Saint Martins, most recent graduates for their fashion show this year. Patrick also posed for world-renowned photographer, Mario Testino for equally renowned fashion icon, Burberry. “I loved working with Mario, he was hilarious. He was very sexual and was coming on to me for the shoot. He would say, “I want to tie you up, you are very sexy.” He did this to make me feel as sexual as possible, instead of looking like Zoolander. 

Ginger Liu

My article is posted in Culture Vulture

and LA.COM

and Beatcrave 

Interview: Jack Savoretti is the Bob Dylan for the 21st Century



I can only imagine what it was like to discover Bob Dylan for the first time in the 1960’s. But at Jack Savoretti’s gig at the Hotel Café this week, the 23 year old British, Italian singer songwriter performed mesmerizing folk lyrics of evocative travels and lovers lost to an audience, privileged to experience a rare talent indeed. Jack Savoretti has many stories to tell and from the moment he steps on the stage he takes us on a journey across the world through Jack’s eyes. He is a novel that must be read. It is no exaggeration or misappropriation of words on my part to tell you that he is undoubtedly the Bob Dylan of the 21st Century.

Jack Savoretti is based in London. His English mother was a model in the sixties and his father, Italian. He was schooled in Switzerland and traveled extensively with his family throughout Europe. His observations, intelligence, and compassion are omnipresent in his lyrics. He picked up the guitar at sixteen years old and turned his poems into songs. After playing the circuit in Britain, he was signed by De Angelis Records and his debut CD, Between the Minds, was released in the UK to critical acclaim. He recently toured extensively with Gavin Jack on a 12-tour date around Europe in November and his music has appeared in One Tree Hill and the Sisterhood of the Traveling Pants 2.

I caught up with the Jack the night before his LA gig and at the end of two weeks of recording his new EP with  band members of the Counting Crows and Motley Crew.


Live at The Hotel Cafe

Live at The Hotel Cafe

Describe your music?

Jack Savoretti: It’s traveling music and story telling. Each song is a song in itself and a journey.

Tell me about Between the Minds? How personal and true are your lyrics?

J: Between the Minds is a patchwork of tombs. They are experimental songs that are connected together. What is fact and fiction is a mish-mash of experiences. It’s generous for people to call it poetry. They are observations.

You grew up traveling around Europe. What was that like?

J: My parents have been my walking stick. They love music and always had a great appreciation for great songs. My father listened to Italian music and my mother to Motown; both genres are raw and emotive. We listened to a lot of Johnny Cash and Christopher Cross. My family traveled a lot when I was growing up. We lived in Switzerland and my school was full of international students and I learned about different cultures. Switzerland is a wonderful place to live.

What has been the response to your music in the USA and in Europe? Has it been different?

J: It’s been good everywhere. I have a certain sound that America feels comfortable with and has the time for. Britain is more about bands but I’ve had amazing experience in London, Manchester, and playing in Glasgow was like a dream. I live in Portobello in London. It’s a great place for musicians and has a vibrant singer songwriter community with plenty of open mic venues.

Who are your influences?

J: Songs can be a gift and music should always be fun. I listened to Joan Baez, Foreigner, Paul Simon, Jackson Brown, and Bob Dylan.

Tell me about last months European Tour?

J: I love touring and I love the people I’ve met along the way. Touring Scandinavia was a wonderful experience because I’d never been to Stockholm or Oslo. I supported David Degraw. We also played in Germany, France, and Italy.

What was your favorite moment on tour and which venue has been a stand out night for you.

J: The Heineken Music Hall in Amsterdam with David Degraw and 6,000 people.

What is your favorite song to play live?

J: I love performing the new songs. I’m a big believer in playing songs before recording them. The songs are raw and I practice them on the road. I keep the ones that are rememberable. I don’t like overplaying songs in the studio. Between the Mind was recorded as the first draft of my songs.

What will your fans expect at a Jack Savoretti show?

J: The Hotel Café is an intimate and laidback venue. I don’t talk a lot between songs but I like to try out the new ones. Lyrics are key to a song but it’s the melody that people remember. You can’t have one without the other. When I’m away from home, I write a lot. Being homesick is fuel for my music.

When you’re not playing music, what else makes you tick?

J: Football is almost as important as music. Ha. I support Aston Villa in England but for the World Cup, it’s Italy. When we won the cup in 2006, it was the happiest day of my life.

Photographs by the author Ginger Liu
















Upcoming Events: Jack Savoretti Singer Songwriter at the Hotel Cafe


English-Italian, singer songwriter, Jack Savoretti plays LA’s Hotel Cafe Wednesday night at 10 pm. He’s been compared to Ben Harper, Bob Dylan, and Neil Diamond. He’s just finished a European tour and his music has appeared on One Tree Hill and Sisters of the Traveling Pants 2. At 23 years old he’s on the cusp of international stardom. I caught up with him today to talk about music, traveling, and football (soccer).

My interview and concert photographs will follow.

Jack Savoretti performs on Wednesday 3rd December at 10 PM

The Hotel Cafe

1623 1/2 N. Cahuenga Blvd